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ArtistBobby Bland

Referenced from www.answers.com

Music Style R&B

Profile:
Born Robert Calvin Bland, January 27, 1930, in Rosemark, TN.
Briefly joined group the Miniatures, 1949; worked as B. B. King's chauffeur, 1950; with Johnny Ace and Roscoe Gordon, formed the Beale Streeters, 1951; signed with Duke label, 1951; began playing 300 onenighters per year with Junior Parker, 1958; arranger Joe Scott and guitarist Wayne Bennett left Bland, 1968; signed with Malaco label, 1984; boxed set of the Duke recordings, I Pity the Fool: The Duke Recordings, released by MCA, 1992. Military service: U.S. Army, early 1950s.

Awards: Nominated for a Grammy Award, 1989, for "Get Your Money Where You Spend Your Time"; inducted into the Rock & Roll Hall of Fame, 1991.

Addresses: Record company—Malaco Records, P.O. Box 9287,3023 Northside Drive, Jackson, MS 39206.

As a singer, Bobby "Blue" Bland is regarded as the definitive blues stylist, the "black [Frank] Sinatra," as Dave Marsh described him in the Rolling Stone Record Guide. Often backed by a simple rhythm section and deftly arranged horn lines, Bland became known for his sexy, liquid-smooth approach. He rarely sang hard blues; his style was one of distilled fervor.

Although Bland never really crossed over to white audiences, as has his friend B. B. King, he has been enduringly popular. According to Joel Whitburn's Top R&B Singles: 1942-88, Bland is the Number 11 rhythm and blues chart artist of all time; in the blues genre he trails only King. In a listing of top artists of the 1960s, Bland is at Number Four, ahead of a slew of household names. Bland has never been highly visible; his core audience remains the black blues crowd. Another explanation offered for his neglected mainstream status is that he is mainly a singer and not an instrumentalist. Still, saying Bobby "Blue" Bland just a singer is akin to calling Picasso just a painter.

Bland was born January 27, 1930, in Rosemark, Tennessee, and had a rural boyhood. He listened primarily to gospel and white country singers while growing up. At the age of 17, Bland moved with his mother to Memphis, where the youngster continued to sing in church and in secular street groups. His first group, the Miniatures, was short lived.

By 1949 Bland was working as B. B. King's chauffeur and at times as Roscoe Gordon's valet—anything to stay close to blues music. He was soon a part of the Beale Streeters, a vocal group that also included Johnny Ace, Gordon, and King. Based on a love of spirituals and the urban blues that filled the street for which they were named, the Beale Streeters continued on for a year.

By 1951 Bland had signed with D.J. James Mattis's Duke Recordings. Prior to that the singer had cut three singles that were released on three different, although prominent, R&B labels: Chess, Modern, and Duke. Though he had yet to find his own style, Bland was in the thick of the R&B scene—the Chess sides were produced by Sam Phillips, the Modern single by Ike Turner.

In 1952 Bland was drafted into the U.S. Army; by the end of his tour he was performing in Special Services, covering Nat King Cole and Charles Brown songs. When he returned in 1955, Bland began touring as Junior Parker's valet and opening act. In the meantime, rock and roll had arrived in the person of Elvis Presley; crossover possibilities for blackacts were subsequently opened. Duke had been purchased by Don Robey,a shadowy Houston businessman. Robey admired Bland and quickly teamed him with the Bill Harvey Orchestra, a Memphis group; the result was the song "It's My Life Baby."

When "Farther on up the Road" hit Number One on the R&B charts in 1957, it was the beginning of a tremendous run for Bland at Duke. The song's success is difficult to pinpoint—it is typical blues in both arrangement and sensibility. The difference may have been that Bland was now telling a convincing story, making brief lyrical vignettes highly believable with his conversational style. All of his songs were written for him; even when a song was written by a member of Bland's band, Robey would credit it to the anonymous pseudonym of "Deadric Malone," thus pocketing songwriting royalties himself.

In 1958 Robey hooked Bland up with Joe Scott, a gifted arranger, writer, and trumpeter. Hits like "Little Boy Blue" and "Bobby's Blues" kept coming, often increasing in orchestral sophistication and emotional facility. Bland was greatly influenced by the Reverend C. F. Franklin, soul sensation Aretha Franklin's father, who cried out biblical passages in what Bland referred to as a "squall." As he lost his high falsetto, Bland began combining the squall with a rapid vibrato—a style that would be a cornerstone of modern soul singing. With Scott, Bland continued to work on his diction and phrasing, making each song an entity unto itself. And the touring was nonstop; between 1958 and 1968, Bland played 300 onenighters a year for several years in a row. In addition to collecting gold records and critical accolades while continually working on the road, Bland also picked up a pernicious problem with alcohol. An alcoholic for 18 years, drinking up to three fifths a day, Bland would not confront his problem until the early 1970s.

Great Bland songs continued throughout the 1960s: 1961's "I Pity the Fool" reached Number One, as did 1963's "That's the Way Love Is." Other songs, including "Stormy Monday" and "Turn On Your Lovelight," went on to earn the distinction of R&B standards. The body of work Bland created while with Duke—collected in 1992 in a CD boxed set—lifted him to the status of sole patriarch of soft soul singing; only B. B. King's influence has been more enduring overall.

In 1968 Scott and guitarist Wayne Bennett left Bland. Between 1968 and 1971 the singer fought depression while touring with the Ernie Fields Orchestra, a Tulsa band that by many critics' accounts inappropriately translated Bland's distinct style. In 1973, after Robey's death, Duke was purchased by ABC/Dunhill, a label that soon attempted to make Bland a mainstream artist, pairing him with Four Seasons producer Steve Barri for both His California Album and Dreamer. Both releases successfully crossed over to white audiences, though many blues fans felt the music to be compromised. In 1979, after experimenting with the disco sound, Bland moved to MCA Records. Although he was floundering artistically, Bland did record the monumental "Ain't No Heart in the City," later a hit for the rock band Whitesnake.

In 1985 Bland signed with Malaco, the fiercely independent R&B label based in Jackson, Mississippi. It has been a positive pairing for both artist and label. Unlike many blues and soul acts that were preeminent in the 1960s, Bland has matured well. His first album for Malaco, Members Only, was a triumphant return to form. He was nominated for a Grammy Award in 1989 for the song "Get Your Money Where You Spend Your Time" and followed the achievement with the acclaimed Midnight Run, an album that spent nearly a year and a half on the R&B charts.

In 1991 Bland was inducted into the Rock & Roll Hall of Fame, an honor evidencing the quality of his work and his influence on subsequent generations. It could be argued that more than any other figure, Bland moved the blues away from its arcane and primitive origins while still keeping its spirit intact. He was, as one of his greatest albums noted, "two steps from the blues"; yet he was also just a step from starting rock and roll.

ArtistBobby Bland

Referenced from www.last.fm

Music Style:Rock n Roll

Profile:
Bobby "Blue" Bland (also known as Bobby Bland) (born Robert Calvin Bland, 27 January 1930, in Rosemark, Tennessee) is an African-American singer, and was an original member of The Beale Streeters. He released a couple of unsuccessful singles for Chess Records in 1951, and Modern Records in 1952. That year, Bland entered the Army and returned to music upon his discharge in 1955. His first successful single was "It's My Life Baby", showcasing a new, more mature sound. He was signed to the Duke Records label in 1956.

Bland's glottal gargle sound was patterned after Aretha Franklin's father, the Reverend C. L. Franklin. For all his rough and raw vocal projections, Bland was backed by a band that delivered some of the smoothest and most modulated arrangements in the blues genre. Sometimes referred to as "the Lion of the Blues", Bland was as regal in appearance as his band was musically mellow. His album covers tell the story, showing Bland beautifully manicured in the sportsman style, his large frame nattily dressed and dripping with conspicuous, but tasteful jewelry. Though not conventionally handsome, Bland had a certain magnetism that had a profound effect on his fans.

Guitarist Pat Hare contributed to Bland's first national hit, "Farther Up The Road" (1957). Clarence Holliman was his guitarist for most of his 1950s sides, including "Loan A Helping Hand", "I Smell Trouble", "Don't Want No Woman" and "Teach Me (How To Love You)". In the 1960s, Bland was working with Wayne Bennett, including "Turn On Your Love Light" (1961) and "Yield Not To Temptation" (1962); he was by then a superstar and world-famous entertainer. Other popular records from this period were "Little Boy Blue," "I Pity the Fool," "Stormy Monday Blues" and "Two Steps from the Blues."

After Duke was sold to ABC Records in 1973, Bland's career began to diminish. Though he continued recording throughout the 1980s and 1990s on the Malaco label, Bland never regained his former fame on recordings, but toured and became a major influence on the Soul blues sound.

In 1992, Bobby Bland was inducted into the Rock and Roll Hall of Fame.

ArtistBobby Bland

Referenced from www.discgos.com
Robert Calvin Bland Profile:Singer, born 27 January 1930 in Rosemark, Tennessee. He was inducted into the Rock & Roll Hall of Fame in 1992.

Music Style:Rock n Roll

Profile:

ArtistBobby Bland

Referenced from www.spotify.com

Music Style:Rock n Roll

Profile:

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Referenced from www.answers.com

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References: The Sound of the City ( The Rise of Rock and Roll ) by Charlie Gillett, A Brief history of Rock n Roll by Nick Johnstone, web links www.wikipedia.com www.discogs.com www.spotify.com www.last.fm copyright david crowfoot 2009, 2010.