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Artist Billy Lee Riley

Referenced from www.answers.com

Music Style Rock n Roll

Profile:
Born October 5, 1933(1933-10-05)
Origin Pocahontas, Arkansas, U.S.
Died August 2, 2009 (aged 75)
Jonesboro, Arkansas, U.S.
Genres Rock, rockabilly, blues, country blues
Occupations Musician, singer, record producer, songwriter
Instruments Guitar, harmonica
Labels Sun, Rita Records

Born in Pocahontas, Arkansas, the son of a sharecropper, Riley learned to play guitar from black farm workers. After 4 years in the Army, Riley first recorded in Memphis, Tennessee in 1955 before being lured to Sun Studios by Sam Phillips. He recorded "Trouble Bound" for Jack Clement and Slim Wallace. Sam Phillips obtained the rights and he released "Trouble Bound" b/w "Rock With Me Baby" on September 1, 1956 (Sun 245). His first hit was "Flyin' Saucers Rock and Roll" b/w "I Want You Baby" released February 23, 1957 (Sun 260) with backing piano by Jerry Lee Lewis, after which he recorded "Red Hot" b/w "Pearly Lee" released September 30, 1957 (Sun 277).

"Red Hot" was showing a lot of promise as a big hit record, but Sam Phillips pulled the promotion and switched it to "Great Balls Of Fire" by Jerry Lee Lewis. The record was pulled without a lot of sales. He had other Sun recordings and they, likewise, did not have a lot of sales as his promotion had stopped.

Considered good looking and with wild stage moves, Riley had a brief solo career with his backing band "The Little Green Men". Riley and his Little Green Men were the main Sun studio band. They were Riley, Roland Janes, J.M. Van Eaton, Marvin Pepper, and Jimmy Wilson, later joined by Martin Willis.

In 1960, he left Sun, and started Rita Record label with Roland Janes. They produced the national hit record "Mountain Of Love" by Harold Dorman. He later started two other labels Nita and Mojo.

In 1962, he moved to Los Angeles and worked as a session musician with Dean Martin, the Beach Boys, Herb Alpert, Sammy Davis Jr. and others, as well as recording under various aliases.

In the early seventies, Riley quit music to return to Arkansas to begin his own construction business. In 1978 "Red Hot" and "Flyin' Saucers Rock 'n' Roll" were covered by Robert Gordon and Link Wray, which led to a one-off performance in Memphis in 1979, the success of which led to further recording at Sun Studio and a full-time return to performing.

Rediscovered by Bob Dylan in 1992, who had been a fan since 1956, Riley played rock and roll, blues and country-blues.

His album Hot Damn! (Capricorn, 1997) was nominated for the Grammy.

He was injured falling on a slippery department store floor in 2005, requiring two surgeries as a result. In 2006, he released a country CD, Hillbilly Rockin' Man.

The Rockabilly Hall of Fame reported in summer 2009 that Riley was in poor health, battling stage 4 colon cancer. His last public performance came in June 2009 at the New Daisy Theatre on Beale Street in Memphis, when he took part in "Petefest 2009," honoring historian Pete Daniel, who had befriended Riley while helping launch the Memphis Rock N' Soul Museum. Supported by a walker, Billy Lee rocked out on "My Gal" and other of his old hits. He succumbed to colon cancer on August 2, 2009 in Jonesboro, Arkansas.

Artist Billy Lee Riley

Referenced from www.last.fm

Music Style:Rock n Roll

Profile:
During the mid- to late 1950s, Billy Lee Riley synthesized the same blend of blues, country, and gospel that fueled the recordings of Elvis Presley, Carl Perkins, Charlie Rich, and Jerry Lee Lewis. However, despite cutting two of the hottest rockers of the era—"Red Hot" and "Flying Saucers Rock 'n' Roll"—Riley never enjoyed the national success of his more famous peers. Undaunted, the multigenre songwriter, guitarist, and harmonica player soldiered on through a music industry odyssey.

Born on October 5, 1933, to sharecroppers during the Great Depression, the part-Cherokee Riley began picking cotton at the age of six. "That's what left the blues embedded in me so much," Riley told Contemporary Musicians. "earing it from the original blues men, not the recording artists—men out in the field. The hungry man, the working man on the cotton sack just singin'. They'll sing in those fields man, I'll tell ya. They talked to each other in song! You'd hear a guy way over here, man. He'd be singing . Man, pretty soon someone over there would answer . The fields were alive with music. Not with instruments, but with people's voices. They'd sing because that was the only way they had of releasing the things inside them that they weren't allowed to release in public. It was a release and that's what the blues and rock 'n' roll are all about, man."

Artist

Referenced from www.discgos.com

Music Style:Rock n Roll

Profile:

Artist

Referenced from www.spotify.com

Music Style:Rock n Roll

Profile:

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Referenced from www.answers.com

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References: The Sound of the City ( The Rise of Rock and Roll ) by Charlie Gillett, A Brief history of Rock n Roll by Nick Johnstone, web links www.wikipedia.com www.discogs.com www.spotify.com www.last.fm copyright david crowfoot 2009, 2010.